Harpsichord’s sound is consistently sumptuous: rich, full and effortlessly playable. […] libraries like ‘Elements’ and ‘Special Keyboards’ bridge the gap between genuine innovation and textures recorded from real instruments, with all the richness that live instruments-capture can provide. Vienna’s Orchestral Library will always be its signature product, yet these supporting libraries, celebrating the weird and wonderful instruments further towards the periphery of concert music have even greater appeal.
John Buchanan, Future Music, December 2007
Special Keyboards also features a harpsichord (here given its Italian/German name ‘Cembalo’). Only three stops are provided one on them couples a high octave to the fundamental pitch, making that bright, crashing metallic racket I associate with Iconic 1960’s TV themes. [...] All good fodder for the creative composer’s sound palette [...]
Dave Stewart, Sound on Sound, October 2007
Company: Vienna Symphonic Library